Corner-pin the overlay so that the grid lines up over the color swatches in the image and hit the Match button. Next, select the Color Chart grid from the viewer tools, which opens an overlay for that chart.
If you used one of these charts and it’s in your footage, then select the appropriate set of color swatches in the Color Match menu. If you included a color chart when you shot your footage, Resolve can use the image of that chart to set an automatic correction for the color balance of the scene.Ĭolor Match features three template settings for charts, including X-Rite ColorChecker, Datacolor SpyderCheckr and DSC Labs OneShot. Here you’ll find a wealth of grading tools, including camera raw settings, color wheels, primary sliders and more. All color correction occurs in the color module. The interface is divided into four modules: media, edit, color and deliver. Although you can operate Resolve without any third-party i/o hardware, if you want external monitoring or output to tape, you’ll need to purchase one of Blackmagic Design’s PCIe capture cards or Thunderbolt i/o devices. It includes most of the features of the paid software, except collaboration, stereo 3D and noise reduction. Resolve Lite supports output up to UltraHD (3840 x 2160). Both free and paid versions support a variety of third-party control surfaces, with the most popular being the Avid Artist Color and the Tangent Devices Element panels. I have covered previous releases of Resolve, so I’ll only briefly touch on color correction in this article.Īs before, DaVinci Resolve 11 comes in four versions: Resolve Lite (free), Resolve Software ($995), Resolve (with the control surface for $29,995) and the Linux configuration. Now for the first time it is worthy for consideration as your NLE of choice.
In addition to a redesigned logo and splash screen, Resolve 11 sports more editorial tools than ever before. With the release of DaVinci Resolve 11, Blackmagic Design has firmly moved into the ranks of nonlinear editing.
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